April 23, 2019
SCARED VIOLENT LIKE HORSES 
I was too young to call him a friend, but I had a classmate who snuck up    
                      behind a horse and now his body is made of a long time ago.             He is the quiet space in my memory where he never sat next to me again.                                   Back then, everyone I ever called a friend held fire in their fists  when they talked to me. Their fists were dingy, grime-covered, and grease-slick                        as if they were made of horsehair, as if they were untamed and lonely,             galloping and wind-swollen. We didn't know how to talk about loss,                                  so we made each other lose. We went to fields to see  who could take the most damage. We went to fields that smelled like the boy                        who became an empty space on a Tuesday morning a long time ago.             Now, because I am scared of time and how it moves, I look down at my fists                                   that didn't always want to, but have hit so many friends  that the broken knuckles look like bruised magnolias. Listen to me, Please,                        when I knock or bang on the table or door and beg for attention.             Please, I don't know how to ask for forgiveness. I don't know how                                   to let anything go. I don't know how to say anything else  about the boy who had a buzz cut and a flat head, the boy who was kicked in the face                       by a horse and died looking up at the sky. The boy's father must have             found his son with a crushed face, and while running back to the house                                   with his own son in his arms, must have said something raging  and spiteful to God. This memory is my starting point when I think backward                        and apologize for all of our fists coiled tight as key rings. How could we not             break the mirror we look at in the morning? How could we not swing                                   at the different versions of our faces staring back between  the fissures? The hurt and mangled parts of us loved the blood dried brown                        on our skewbald knuckles, and we had nightmares of being reined in.             We needed someone to help us change. We needed someone to force us                                   into confronting the uselessness of our violence.  But no one came, and our fists swelled unbridled and restless, wild and afraid. 
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Hanif Abdurraquib and Morgan Parker on Magical Negro, contemporary poetry, and how white salons still can't handle black hair.
(via Vice)
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I took an introductory poetry writing class in my sophomore year of college because my schedule allowed it; I had mostly downed novels up until then. We were not assigned this Dickinson poem in class, and I can’t remember exactly how I came upon it. I was familiar with many of her famous poems, but something about this one made me feel both wonderfully repaired (from what? why?) and restive.
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PATRICIA CLEARLY MILLER AWARD

Deadline May 20, 2019. New Letters invites submissions to the Patricia Cleary Miller Award for Poetry. Winners receive $2,500 + publication. For guidelines, visit New Letters or send an S.A.S.E. to New Letters, 5101 Rockhill Road, Kansas City, MO 64110.
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