Smokestack didn't advance this year at the IBC but that has nothing to do with how we feel about the band. We're very proud of the guys' efforts and glad they're home from the tundra. Thanks guys!!
Dr. Johnston's pet project, the HART Fund, will throw its annual Valentine's Day gig with an all-star lineup as usual. Dr. j works tirelessly all year to help raise funds for struggling Blues musicians. Come on out and pitch in!
Blues Blast '18 is fast approaching. We're finalizing all of the necessary red tape that allows us to present the premier Blues festival in Arizona. I promise a huge show this year. This is No. 7 at Hance Park and we've never looked back from our Mesa days.
And, please hug someone this week. You'll both feel good.....
Sincerely, Jim Crawford, PBS |
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Slowhand
by Battersby duo Eric "Slowhand" Clapton is one of the most respected guitarists and musicians in the world today. He got his nickname in 1964 while playing with The Yardbirds. It was fondly invented by Yardbirds manager Giorgio Gomelsky when Clapton broke a string and would change it on stage thus delaying the show. The audience responded (when he took too long) by giving him a slow hand clap. So the nickname "Slowhand" was coined. I've been a fan of the blues all my life. Leadbelly, Sonny Terry and Brownie McGhee, I couldn't get enough of them. I played the Blues Breakers LP by John Mayall so many times that I wore it out. John Mayall was one of the most influential blues musicians in England at the time. His band consisted of : John Mayall on piano, Hammond organ, vocals, and blues harp, Eric Clapton on guitar, John McVie, (who joined Fleetwood Mac shortly after it was formed in 1967) on bass and Hughie Flint on drums (Alexis Korner and Savoy Brown and Bonzo Dog Band) Mayall also used a horn section consisting of Alan Skidmore, Johnny Almond, and Derek Healey. The guitar that Eric Clapton played during the recording of Blues Breakers was a 1960 Gibson Les Paul Standard with two humbucking pickups. In 1966 shortly after the recording of Blues Breakers that guitar was stolen along with other equipment from Clapton's van. On that same day John Mayall was booked to perform (in the basement) below The Brighton Aquarium on the south coast of England. The band finally "hit" the stage and Eric Clapton immediately walked to the microphone and explained to us about the van robbery earlier that day. He'd managed to borrow a guitar for the night, but discovered he was short a plectrum (Brit speak for guitar pick) My friend David (who ironically later became a highly acclaimed blues drummer,) without missing a beat, produced the requested pick, that'd probably been lying dormant in his pocket amongst candy wrappers for decades and offered it to Clapton, who gratefully accepted the loan, going on to perform one of the greatest concerts of his life. After the gig Clapton bounded off the stage walked up to David and I, and with a huge smile and a sincere thanks, he returned the plectrum. David told me that he unfortunately lost the pick, when he finally cleaned out his pockets six months later!! I'd seen Clapton perform several times before The Aquarium gig, at The Crawdaddy Club in Richmond when he was playing with The Yardbirds, and had been impressed by his amazing talent. He joined The Yardbirds in 1963 shortly after they became the house band at The Crawdaddy club (succeeding the Rolling Stones) The Yardbirds began to get noticed in the burgeoning rhythm and blues world after they started working at the Crawdaddy Club, and ultimately became known as a "who's who" of the British music scene at the time, producing artists like, Jimmy Page (Led Zeppelin) Jeff Beck (Beck, Bogert & Appice) and of course Eric Clapton amongst others. The time spent at the Crawdaddy Club playing with The Yardbirds allowed the musicians to hone their craft with a repertoire drawing on their love of Chicago blues. Songs like "Good Morning Little Schoolgirl" and "Smokestack Lightning" became Yardbird staples, while the audiences that packed The Crawdaddy Club each night couldn't get enough of the music of Bo Diddley, Muddy Waters, and Howlin' Wolf. A few years later when they were playing with Led Zeppelin, Jimmy Page and John Paul Jones recorded "Bring it On Home" by Sonny Boy Williamson. Eric Clapton had never been a disciple of commercial success and in 1965, he left the Yardbirds, shortly after they released For Your Love that went on to become a huge hit for them. But Clapton wanted to be a blues purist, and joined Mayall in 1965. Clapton was born on March 30, 1944 to parents Patricia Clapton and Edward Fryer, but grew up with his grandmother Rose, in Surrey and was educated at Holyfield School in Surbiton, going on to study at The Kingston School of Art where he left early, as his main focus was clearly on music. He then spent time busking (street singing) around Kingston and the West End (London's theatre district) and then formed a band with friend David Brock a fellow blues enthusiast, playing in pubs. At 17 he then joined an R&B band called The Roosters with friend Tom McGuinness (Manfred Mann group, later of McGuinness Flint Band teaming up with Hughie Flint of Mayall fame) and then in October 1963 he joined The Yardbirds In 1966 Eric Clapton left John Mayall Bluesbreakers (being replaced by Pete Green) and was invited by drummer Ginger Baker (Graham Bond Organization) to join his new group along with Jack Bruce (Manfred Mann and The Graham Bond Organization) The new group was to be called Cream. I'd first seen Ginger Baker with The Graham Bond Organization. Ginger Baker, became known as "rock & rolls first superstar drummer," and was famous for his lengthy drum solos and flamboyant style of percussion ( even more flamboyant than Keith Moon of The Who) so the natural fit of Jack, Ginger and Eric was immediately electric. By the time I graduated from high school in 1967 Clapton was being touted as Britain's top guitarist and Cream were becoming enormous in the US as well. In March 1967 they performed a 9-show-sell-out at the RKO Theatre in New York. They recorded Disraeli Gears in May 1967 in New York that included Clapton's searing guitar work and Baker's polyrhythmic percussive techniques. The short lived life of Cream was accelerated by the tensions between Baker and Bruce coupled with the excessive use of drugs by the band members. The demise of the group affected Clapton profoundly. In 1999, Disraeli Gears, Creams defining LP was inducted into the Grammy Hall of Fame. By 1969 Eric Clapton who by now was a household name decided to form Blind Faith, with Ginger Baker, Steve Winwood (Traffic) and Ric Grech. (Family) Initially Clapton was hesitant to invite Baker to play with him again, so soon after Cream had disbanded (It'd been just 9 weeks since the break up) but Stevie Winwood while jamming with him at his home in Surrey south of London, convinced Clapton that Baker would add significant power to the new "super group." In May 1969 Ric Grech was also formally invited to join them, and Blind Faith (Baker,Grech,Clapton and Stevie Winwood) debuted at a "free" concert in London's Hyde Park on June 7th 1969. Over 100,000 people attended that day. Steve Winwood was signed to Island Records (his brother and former bandmate Muff Winwood ((Spencer Davis Group-worked at Island as an A&R man)) so subsequently Blind Faith was "leased" to Polydor Records. Having toured in the US and Scandinavia just once and producing one LP "Blind Faith," the band dissolved after just 7 months with Eric Clapton joining Delaney and Bonnie as a sideman. Clapton has received respect from both rockers and blues players. He's broken racial stereotypes and is equally loved by both genders. He's overcome personal pain, beyond what most people could bear, and turned all that emotional roughage into songs like "Layla" and 'Tears in Heaven". "Layla" was originally released in 1970 when he was with the blues/rock band Derek and The Dominos. Clapton's love affair with Patti Boyd (George Harrison's former wife) has been much written about and clearly caused him a great deal of pain. The searing guitar in the opening of "Layla" sparks an almost tribal response in all of us. "Layla" has withstood the test of time, The acoustic version of 'Layla" won the 1993 Grammy for "Best Rock Song" over 20 years after its first release proving it resonated with a new generation.
Clapton's personal relationship with the blues goes way beyond disappointment in romance. His personal life reads like a Greek tragedy. Clapton is a man who grew up believing that his 16-year-old Mum, Patricia, was his sister. Because society was so rigid about teen pregnancy, he was raised by his maternal Grandmother Rose and her husband Jack. Eric Clapton never got to meet his Canadian Father, Edward Fryer, (who played piano and saxophone,) because he didn't learn of him in time and his father died young of leukemia. Yet, Clapton pressed on and developed his amazing musical talent. He impacted and developed so many musical friendships around the globe including Jimi Hendrix, Duane Allman, and Jim Gordon only to lose them tragically to death and mental health issues. Clapton said of Duane Allman, "He was the musical brother I'd never had but wished I did". Clapton then fell in love with a woman (Pattie Boyd) he couldn't have, which drove him to struggle with substance abuse and brutal press coverage. When he emerged and finally "won the girl", their brief marriage was painfully marred by the inability to have children. During the turbulence, he had an affair with Lory Del Santo which produced a son, more bad press, and destroyed his marriage to Pattie Boyd, the love of his life. But, he emerged again and loved his son Conor. He continued to produce and perform amazing music only to lose his beloved son to a tragic, freak accident only 4 1/2 years later. He has had incredible loss in his life. To lose a child and then be able to produce "Tears in Heaven" is extraordinary. No wonder so many great blues musicians respect Clapton. It is not just his great playing, but his life that makes him authentic. Just like the great short film about the legendary Sonny Terry, Clapton's life is "Shoutin' the Blues". When we pause to marvel at his talent, we should also marvel at his spirit and his tenacity. Eric Clapton plays from the inside out, like no one else we've ever heard.
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| Blues Blast 2018
is coming soon!!
Make your plans to join PBS March 10 Margaret T. Hance Park The Andy T Band w/Alabama Mike & Anson Funderburgh
will headline an all-star lineup for a great day of fun and BLUES!!
MARK THE DATE!!
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| Out & About Tuesday, January 23 Carvin Jones, 7 p.m., Rumors, surprise Wednesday, January 24 Rockin' Johnny, 8 p.m., Rhythm Room, Phoenix Carvin Jones, 7 p.m., Arlie's, Tempe Bad News Blues Band, Every Wed., 9:30 p.m., Chicago Bar, Tucson Thursday, January 25 Curley Taylor & Zydeco Trouble, 8 p.m., Rhythm Room, Phoenix Hans Olson (EVERY THURSDAY), 6 p.m., Handlebar, Apache Junction Arizona Blues Project, 8 p.m., Harold's, Cave Creek Friday, January 26 Sistahs Too, 8 p.m., Rhythm Room, Phoenix JC & the Juke Rockers, 6 p.m., Dillon's Bayou, Peoria Hoodoo Casters, 6 p.m., Desert Eagle Falcon Field, Mesa Blues Review Band, 7 p.m., Stone & barrel Lounge, Sun Lakes CC Carvin Jones, 9 p.m., Murphy's Law, Chandler Paris James, 6:30 p.m., D'Vine Wine, Mesa Saturday, January 27 Larry Reed Celebration of Life, 3 p.m., Rhythm Room, Phoenix Soul Power Band, 9 p.m., Rhythm Room, Phoenix Sugar Thieves, 2 p.m., Wine Festival, Heritage Square, Phoenix Sugar Thieves, 7 p.m., Chileen's on I-17, Black Canyon City Chuck Hall (acoustic), 5 p.m., Kensington's, Prescott Hoodoo Casters, 8 p.m., Lucky Strikes, Apache Junction Rocket 88s, 7:30 p.m., Janey's, Cave Creek JC & the Juke Rockers, 8 p.m., Fibber Magee's, Chandler Nina Curri, 6 p.m., Rhythm & Wine, Scottsdale Blues Review Band, 10 a.m., Arrowhead H-D, Glendale Paris James, 6:30 p.m., D'Vine Wine, Chandler Sunday, January 28 Carvin Jones, 6 p.m., Rhythm Room, Phoenix True Flavor Blues, NOON , Copper Star, Phoenix Monday, January 29 Carvin Jones (Acoustic), 7 p.m., Waldo's, Gilbert |
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| Weekly Jams
Bourbon Jack's JAM w/Kody Herring, 6 p.m., Chandler
MONDAY
Bam Bam & Badness Open JAM, 9 p.m., Char's, Phoenix
Weatherford Hotel JAM, 6:30 p.m., Flagstaff
TUESDAY
JAM Sir Harrison, 9 p.m., Char's, Phoenix
Rocket 88s, 6 p.m., The Last Stop (Old Hideaway West), Phoenix
Gypsy's Bluesday Night JAM, 7 p.m. Pho Cao, Tempe
Tailgaters JAM, 7 p.m., Glendale
WEDNESDAY Rocket 88s, 7 p.m., Chopper John's, Phoenix Tool Shed JAM Party, 7 p.m., Draw 10, Phoenix
Bumpin' Bud's 2nd & 4th Saturdays JAM, 7 p.m., Marc's, Glendale
THURSDAY Tool Shed JAM Party, 7 p.m., Steel Horse Saloon, Phoenix Jolie's Place JAM w/Adrenaline, 9 p.m., Chandler Brad's Place JAM, 7 p.m., Ahwatukee (Every other Week)
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Moved? Changed email addresses? Please let us know of any changes in your address, email, or phone number so we can keep you informed about the Blues community in Arizona. Email us at: info@phoenixblues.org or write to: Phoenix Blues Society P.O. Box 36874 Phoenix, Arizona 85067 |
GOT BLUES? If you are a Blues musician, a group, or a club that features Blues music, and would like to be listed, please send your info to info@phoenixblues.org and we'll be happy to list your event in our weekly Out & About section of the newsletter |
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