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July 13, 2022 β’ View in browserGood morning. π€οΈ Today, NASA releases the sharpest and most detailed telescope images ever captured of our vast, ever-expanding universe. At some point, images from deep space can start to look the same, but these ones are truly awe-inspiring. They'll leave you humbled. Also today: A White artist gets caught copying the work of a Black artist without giving any credit; an animal rights group manages to shut down a Damien Hirst installation because it killed flies (yes, flies have rights too!); art criticism's history of racism, and much more. β Hakim Bishara, interim editor-in-chief The Deepest Images of Our Universe Are HereNASA has released photographs taken by the James Webb Space Telescope, some capturing the ancient universe dating back 13 billion years. | Elaine Velie SPONSORED WHAT'S HAPPENING Left: Still from Blue, directed by Dayday (screenshot Valentina Di Liscia/Hyperallergic via Vimeo); right: Gala KnoΜrr, βYoung Cowboyβ (2022) (used with permission from the Guggenheim Museum) Controversy erupts over Gala KnΓΆrrβs works that uncannily referenced images from a film by Black and queer multidisciplinary artist dayday. A German museum dismantles a Damien Hirst installation displaying dead flies following complaints from the animal rights group PETA. CRITICS & CURATORS How Art Criticism Perpetuated Racism, According to Harold RosenbergThe late New Yorker art critic admonished the stringent "aesthetes" of his time for their blatant dismissal of the social and political contexts in which art emerges. | Debra Bricker Balken Talking Sex With Two Film CuratorsHyperallergic talks to programmers RΓ³isΓn Tapponi and Jed Rapfogel about their Anthology Film Archives retrospective and formative erotic film experiences. | Dan Schindel LATEST REVIEWS Two Artists Brought Together by the Sublime Mysteries of ExistenceCory Feder and Diego Medinaβs collaboration in Wonder Holy Ladder is an antidote to the ubiquitous transactional relationships of the 21st century. | Sommer Browning In Pursuit of BelongingMining the elusive nature of memory, Joeun Kim Aatchim reveals the urgent, universal desire to cling to the past despite its transience. | Catherine Yang Become a member today to support our independent journalism. Become a Member |
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