HOW TO THINK ABOUT IT

Full court press. In April, the U.S. Supreme Court declined to hear an appeal in the case of Jamal Knox, a Pittsburgh rapper (pictured below) sentenced to two years in prison for threatening to kill specific police officers in his songs. The high court appeal was brought by a group of rappers, including Killer Mike and Meek Mill, who argued that Knox was making a political statement rather than a “true threat.” Hip-hop lyrics have occasionally been used in court as evidence for criminal actions, though critics of this practice point out that such admission isn’t used for any other genre.

Russian to judgment. In Russia, the rise of the internet as a dominant driver of the music industry has helped foster a vibrant youth rap culture. But those same youth are becoming more critical of the Kremlin — perhaps due to rap music’s focus on poverty and other negative aspects of life in Russia — and it shows: Some popular rappers have had shows summarily canceled or have been detained by police. President Vladimir Putin has previously suggested that instead of banning rap music, the state could attempt to control it or guide it. Meanwhile, Chinese authorities reportedly requested last year that TV programmers avoid guests associated with hip-hop. Since then, some rap acts have made it onto Chinese screens, and there’s been speculation that the guidelines were purposefully vague to encourage TV shows to self-censor.

Not all bans are created equal. This year alone, many radio stations have opted to ban music by R. Kelly and Michael Jackson after high-profile documentaries detailed their alleged sexual abuse of underage people. Spotify also removed R. Kelly’s music from its featured playlists, but it elected not to remove Kelly or Jackson from its streaming service altogether.

History repeating. This is far from the first music panic, and rap is far from the first victim. Rock ’n’ roll music was famously demonized by religious conservatives both as appropriating spiritual music and as teenage savagery. Rock fans aren’t innocent, though: Witness 1979’s Disco Demolition Night. Disco as a genre had been initially the province of mostly Black artists, and then was wholeheartedly embraced by the gay community. In the 1970s, it went mainstream — to the dismay of rock fans. When the Chicago White Sox, hoping to attract a crowd, announced they’d destroy disco records during the intermission of a doubleheader, 50,000 people showed up and incited a riot, storming the field and causing the second game to be canceled.

WHAT TO READ

Russia’s Youth Found Rap. The Kremlin Is Worried, by Ivan Nechepurenko in The New York Times
“Rap has begun capturing the minds of young people in Russia just as those aged 24 and under are moving from being the group most supportive of Mr. Putin’s government to one that is increasingly critical of it.”

Can His Rap Return to Syria? by Mat Nashed on OZY
“The album, Terminal, addresses the predicament of youth who grow up with hip-hop in the Middle East. In Shorbaji’s view, many of them feel too Arab for the West and too Western for the Arab world.”

WHAT TO WATCH