We're in the home stretch for 2020. Here we go. ⛅ Today, an anthology of radical trans poetics, the u
We’re in the home stretch for 2020. Here we go. ⛅ Today, an anthology of radical trans poetics, the ultimate 3D mask, and why the CETA artists aren’t as well known as the WPA-era ones.—Hrag Vartanian, editor-in-chief | |
|
| The Forgotten Federally Employed Artists Why are the Comprehensive Employment and Training Act (CETA) artist programs less well known than the Works Progress Administration (WPA) projects for being an instance when the federal government employed artists en masse? Virginia Maksymowicz and Blaise Tobia |
|
Support Hyperallergic | As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. Please consider supporting our journalism, and help keep our independent reporting free and accessible to all. | Become a Member |
|
|
|
Did you enjoy this issue? |
|