Welcome to the Lomography Magazine | Ever heard of the Lomography Magazine? If not, it’s time to develop a new habit and dive into something extraordinary – no darkroom needed! Whether you’re at the office, between classes, or on your morning commute, the Lomography Magazine is your go-to for daily tipsters, intriguing interviews and conversations with our Community. September marks a fresh start, a time for new goals and ideas as we jump back into work and school. Why not make those goals analogue? Find yourself an interesting article to read and learn something new every day! |
|
In the spirit of starting afresh and resetting your goals, let’s take a look at capturing movement on film! As Mr.Bueller wisely said, “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” So why not freeze those fleeting moments – let’s capture the dances, the belly laughs, your barista pouring your morning brew – every heartbeat that makes life electric. Spontaneous moments make Lomography, so let’s learn how. |
|
We don’t often talk about empty spaces in photography. We’re usually all about packing the frame with exciting memories. But whether it’s a happy accident or a planned pose, that negative space in the frame can be a useful tool for storytelling in your images, adding depth and drama to your photos. Head over to our Magazine to check out some powerful Community photos using negative space and read more about how to craft your own masterpiece! |
|
Lomography International: Kaiserstraße 34/12, 1070 Vienna, Austria, +43-1-899-440 Lomography USA: 68 Jay Street, Suite 415, Brooklyn, NY 11201, +1-718-422-7581 Lomography Asia Pacific: Flat B2, 6/F, Block B, Yee Lim Industrial Centre, No. 2-28 Kwai Lok Street, Kwai Chung, Hong Kong, +852-2525-5417 |
|
Despite the fact that the content of this newsletter was compiled with due care we accept no warranty for the correctness, completeness and actuality of the content provided. Availability of the products featured in this newsletter may vary depending on location. |
|
|