a car-shaped gale      roils a car-shaped sea      a car-shaped sea
courses our car-shaped car     our car cuts calculi in the woven
elements        stirs up these small weathers   as a gradient layer
cake           of speeds radiates away          i read equations on the
internet         that i understand completely        on an emotional
level           some moments feel more viscous           some drag is
characterized as parasitic          the outside tries its best to keep
up          as our rearview rewinds         the splotched drive home
on the windshield and hood        crash drops of self-destructive
rain       they dance             they disappear           into their dance
partners        dark arcs        dark arcs      wipers so sinister       in
their monotonous suppression       of the amoebic legions      of
water reaching          for a freedom that lies         just outside the
frame        when the rain sprays mistily       from car back to sky
is it rain again?            a small envelope of air         cradles every
tumbling droplet           the droplets expand      the landscape as
they sew it        all together        you wake up      in a blacked-out
America        and someone flashes on        a McDonald's sign     i
am five        hundred thousand drops of rain         from home

i am only three
identical McDonald's
from where we first met

READ ABOUT TODAY'S POEM
Share Share
Tweet Tweet
Forward Forward
Poetry Daily Logo
Poetry Daily Depends on You

Our End-of-Year Fundraising Drive is underway. With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.
DONATE NOW
Portrait of a gathering of poets in 1948 at the Gotham Book Mart, New York City
"The Most Famous Photograph of Poets Ever Taken"

"Seventy-one years ago this month, this photograph was published in Life magazine and immediately became iconic. Andy Warhol saved a copy of it. In the New York Times, Michiko Kakutani called it 'one of the most remarkable gatherings' of poets in the 20th century. It’s been reprinted in magazines, newspapers, and biographies. It is an extraordinary portrait of American poetry and literature at the end of World War II—both for whom it includes and for whom it leaves out."

via SLATE
READ ALL TODAY'S HEADLINES
What Sparks Poetry:
Tanya Larkin on Emily Dickinson’s [I started Early—Took my Dog—]


“When I was in high school, I wrote out Emily Dickinson’s '[I started Early—Took my Dog—]' in outsize Goth-y script and taped it to my wall—understanding little of it. I had come across it while doing the dreaded twenty-page research paper for US History, the hallmark assignment of many a college prep school. My teacher was kind. He allowed me to take a patently literary topic and wrench it into a historical one, which is how I found myself leafing through Dickinson’s Collected looking for vaguely feminist poems. This one must have stood out in its forceful expression of utter female power."
READ THIS WEEK'S ISSUE
You have received this email because you submitted your email address at www.poems.com
If you would like to unsubscribe please click here.

© 2019 Poetry Daily, Poetry Daily, MS 3E4, 4400 University Dr., Fairfax, VA 22030

Design by the Binding Agency