Daniel Khalastchi
My friend/ / / is an accident / / / had one/ / /
with his lover / / / went through / / / with the impact / / /
now there / / / is another / / / Another / / /

halved home / / / Another/ / / shaved dog / / /
Another / / / cocked box / / / of cold sanitized / / /
trophies / / / survived/ / / by a rivalry / / /

somebody / / / lost / / / The newspapers / / /
say / / / our news / / / is a fire / / /
a hostel / / / told not / / / to keep feeding / / /

the cops / / / green-eyed / / / in a field / / /
of bright sub- / / / urban cubicles / / / Bathed / / /
in filleted / / / arterial / / / cadence / / /

I drive / / / toward the light / / / and arrive / / /
at a hospital / / / broken / / / too late / / /
for full rate / / /  validation / / / To the nurses / / /

I say / / / we are locked / / / in a garden / / /
savaged / / / by frost / / / but lousy / / /
with rabbits / / / To me/ / / they say / / /

we are terrible / / / ships / / / no berth / / /
for our crew / / / or use / / / in the proof / / /
So I draw / / / the burst night / / / bound down / / /

on the water / / / a cradle / / / knife-sliced / / /
then gowned / / / to the sea / / / I point / / /
to a bird/ / / slight bite in its gather / / / the dark's / / /

one spark / / / cheap caving / / / ovation / / /
we leave / / / the cathedral / / / to burn it all / / /
down / / /
from the book AMERICAN PARABLES / University of Wisconsin Press
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Cover of the Book, 100 Queer Poems
"'Landmark' Anthology 100 Queer Poems Published for Pride Month"

"The power of the anthology, said Bernard, is that it 'showcases each poem and poet doing something interesting with the subject in their historical context.' They hope that people reading the book will 'understand that queerness is not a discrete sexual category separate from everything else, but something that changes colour and texture in relation to history, economics, nationhood, geography.'"

via THE GUARDIAN
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Cover of Hillary Gravendyk's Book, Harm
What Sparks Poetry:
Leah Nieboer on Hillary Gravendyk's Harm


"I keep reading it because it makes me desire its inevitable cyborgs and monsters, its palpitated time-signatures, its 'pink dreaming riot.' I, too, want to get weaved in. Or—I am already weaved in, and desire a present, and future, that is livable with, and inclusive of, a chronic error-measure. Give me less of that narrative 'cure' imposed 'across an abrupt jumble of absences' and more of this speculative wildness."
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