Alycia Pirmohamed

Bismillah            will you grant me the valleyed crevice of
something silver and scoured

with sound.
I wander toward guilt, a young traveler           looking for ruins,

loving what I can,
jagged with the narrow edge         of all I do not, prayer

like bees in my mouth.

Allah like tasbihs in my mouth.
How many times have I opened myself up        to God?

The deer have returned from their     rivering, my tongue
is sanded down by the language

of you,          so what is left?

The wind, the wind, the wind. . .          thirty-three times
the bead flicks

like the ki ki ki

of a Northern bird. How it howls          through
my skin          into a landscape of wild hives—

What is left has no holy.             A nameless bone, frayed
and twinning into the moss.

Not unlike undoing the seam           of a wound to find a country,
every du'a a deep cut,          every recitation its blood.

What is left has no Allah beyond the vineyard
of memory—

Again and again, the wind.
Merciful Allah         grant me forgiveness, if anything.

from the journal THE SOUTHEAST REVIEW
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"One of the many wonders of Concordance, Susan Howe’s latest collection, is the pitch to which Howe has brought her own marriage of words and shapes, even as she continues to demonstrate her sense of the complex interconnections of memory, history, and culture, and her mastery of the traditionally lyrical."
 
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"This poem also expands my view of poem-making as a practice of attention to include poem as communion, as something more like prayer. Clearly, Celan’s poem is a poem of attention. Better yet, it is a poem that attends without wanting, that rests in a ready waiting-that-is-not-waiting. For only in such an open space can wildness arrive and minds meet."
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