"Hallways of Dislocation: The Poetry of Fady Joudah"
"In […], Joudah’s central and counterintuitive claim about the death of language isn’t so much about the absence of speech—its silencing, muzzling, or muting—but its surplus. The one who 'gets to write it most,' he asserts in one poem, is the one who 'gets to erase it best.' A surfeit of words can work as an analgesic—even as anesthetics are prohibited from entering Gaza—and logorrhea, like aphasia, is a symptom of an unnameable malady that causes 'ineffable suffering.'"
viaTHE NATION |
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What Sparks Poetry: Henri Cole on James Longenbach's "In the Village"
"Jim is not really nostalgic for his past life but in love with beginnings, 'A wish// A wish not to be removed/ From time/ But always to be immersed in it.' Yes, to be immersed in time again, like the boats that come in and out of the harbor, and to feel again the progress of the sun and the splash of green waves, to begin anew, to not be removed, and to listen to the secret vibrations of the world." |
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