Christina Beyond the Curtain
Kale Hensley
             Lord, all my desire is before Thee, and my groaning is not hid from Thee.

                                                                    —Christina of Markyate

Carved from the dove in my mother's sleeve
                 I rode the first breath of November, reins wrapped thrice
around my pickled thumbs. How many months

                 did I dream in red and light, how
many hours did my ear sojourn to the rhythm of her yellow tongue?

As a girl, like a girl, I held silk synonymous
with dirt, whispered plum-somethings to God in the armpit of my pillow—
what I tell him cannot be caught by man:

                 grace is a cupboard discovered
backward, the Lord's love softer than a dish of forgotten butter.

With one nail I lured the wood from the door, left
                 the shape of the cross in my stead. With another nail, I hung
behind a tapestry while a suitor sought by lust to paint me

dead. Against my shift, that stitched menagerie, most menacing
                 the martyr red of blunt-faced poppies, the glint of the wood anemone.

                 In the heart of the foliage I know there roosts a snake-necked fowl—
its tail a green heaven hosting a hundred watchful eyes,
                 as blue as night beading the rosary between my thighs.
from the journal IMAGE 
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"Christina Beyond the Curtain" is a lyrical rendering of a chapter from The Life of Christina of Markyate, a loose hagiography which follows the life of a young woman turned mystic and the extraordinary experiences that befell her.

Kale Hensley on "Christina Beyond the Curtain"
NEA Poetry Out Loud coordinator Lauren Miller and 2023 Poetry Out Loud National Champion Sreepadaarchana Munjuluri in front of the Tower of London. Photo courtesy of Lauren Miller
"Poetry Out Loud Takes London"

"Poetry really connects with young people, and we see that time and time again through Poetry Out Loud. That was just further conveyed, seeing them all come together from different countries. Poetry speaks to our social experience and our cultural experience, both personally and historically. Students are connecting to their literary history as well as contemporary life."

via THE NATIONAL ENDOWMENT FOR THE ARTS
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What Sparks Poetry:
Martin Mitchell on Carol Ann Duffy's The World's Wife


"In a way, though, the mundanity of the real story gets at the heart of The World's Wife: throughout the book, our meticulous cultural inheritance—our gods, our legends, our myths, our grandest stories—are stripped of their sheen and recast on a smaller, human scale. The collection is comprised of a series of dramatic monologues from the perspectives of the women who have been sidelined, overlooked, omitted."
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