Margo Tamez

from the  journal NEW LETTERS 
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In Lipan Apache oral tradition (pre-colonization), Enemy Slayer figures prominently as hero/transformer/protector. "FATHER | GENOCIDE," the book in which this poem appears, draws upon Lipan memory-telling/truthing forms emplacing my father’s life (in Texas, Alaska, North and South Dakota), and his death (in Ohio) as historical fact. I situate his experiences as Lipan survival and continual struggles against Texas and US settler colonialism and violence. The horse teaching in this poem draws on the oral tradition; signifies Lipan spiritual, political and literary reclamation; and writing it gave me new understandings of my father’s struggles with his choices within his world deeply structured by White male patriarchy, domination, militarism, colonization and assimilationist policies. Enemy Slayer, like Lipans, didn’t vanish; they adapted, survived, are continuing, and persisting in healing and recovery.
 
Cover of Melissa Lozada-Oliva's book, Dreaming of You
"Poet Melissa Lozada-Oliva Reimagines Selena's Legacy"

"I still think the conversation about Yolanda Saldívar—who is a murderer—has been overwhelmingly not nuanced....I think Yolanda and Selena for so long were....seen as this yin and yang, two forces of good and evil. And that's not true. They were just two women who were both deeply affected by patriarchy and acting as such."

via NPR
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Cover of Jorie Graham's collection, Erosion
What Sparks Poetry:
Devon Walker-Figueroa on Jorie Graham's "Salmon"


"This was a language not so much spoken as felt from deep within … and it made me, all at once, begin to ask myself new questions: what are the choreographies by which our consciousness might move—the patterns in which astonishments congregate? Can the poet witness her own inception? What tempos might our impressions take up—only to shed them later on?"
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