Kimberly Burwick
Toward rip current the boy loads
his spirit, ties crabs to rakes,

sails bones and snails toward Spain
in rubber boots and rash guard

running left and worming where earth
will allow; it is a different dare

when he taunts the sea to last,
rooted in its benthic hum—

on his knees he tells me who
and what has left the world
from the book BRIGHTWORD / Carnegie Mellon University Press
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"This poem joins the others in 'Brightword' in a dialectic of conservancy and severance. On one hand, the speaker is worried about the complexity and evolution of her young son’s heart condition. While, from a young age, he is obsessed with climate change and devoted to ocean conservation. As is often the case with kids, playtime in the physicality of the natural world gives way to stunning moments of perception."

Kimberly Burwick on Brightword 
Relaxed medium close-up of Danez Smith in a mint-green t-shirt
Ilya Kaminsky Interviews Danez Smith

"When I sit down to conjure a poem up, I’m sitting down with poets I’ve known, read, and heard, sitting down with what my grandma said last week and eight years ago, I’m sitting down with the news and my friends and my neighbors whose mere existence sneaks its way into the poems without me looking." 

via MCSWEENEY’S
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What Sparks Poetry:
Heather Green on “Fable for a Genome”


“For me, Virgil’s Aeneid is partly about continuity and repetition, a setting out over and over again. Likewise, David Ferry’s deep intertextual approach to writing—especially in Bewilderment, which includes his translations of Virgil, Catullus, and others, alongside his original poems—is also about continuity and iteration."
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