"On the Avant Garde, and Wales"
Peter Finch's new collection, The Machineries of Joy, provides Carol Rumens with "Fish," her poem of the week. "The nonchalant, almost dismissive tone of the introduction might signal a voice close to the poet’s own. Self-denigration, mock-self-denigration, pride in the denigrators getting things maddeningly or hilariously wrong, interplay slyly throughout."
via THE GUARDIAN |
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What Sparks Poetry:Marianne Boruch on Carl Sandburg's "Limited""A solid first person speaker lives in, and guides Sandburg’s poem which is both contained and expansive in its imagery, those steely trains so tightly made crossing a continent of grassland and farms and woods and cities and poverty and fortune. There’s thinking (via assertion and the underground parenthetical) and conversation in the piece, a sense of myth and miraculous in the ordinary, rust and ashes waiting in what is snappy-fast and gleaming. Nothing is as it seems." |
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