Herman's Bones
Amalia Bueno
    After Hart Crane's "At Melville's Tomb"

Da ocean like us know we all going die.
She stay keeping all our bones.
I seen da wave take 'em
den bring 'em to da shore
den take 'em back out again.
Plenny bones,
and inside da bones—mana.1

One day, da ocean all quiet,
da waves all calm, den alla sudden
all kapakahi.2
Da waves wen straight up,
alla way up,
up to da sky
fo' real kine was all spiritual like
like I was at church
and everybody all quiet.

I wen3 look up
up at da stars, and das when,
inside da stars
I seen all da bones
all da answers
to everything.

Our fren Herman,
way up high in da blue waves
he not evah going come back.
Way up high,
his bones, his mana
da ocean stay keeping 'em
so lucky da ocean
fo' keep Herman fo' evah
cause only she can.



l. mana (Hawaiian): power, divine, or supernatural
2. kapakahi (Hawaiian): lopsided
3. wen (Pidgin): past-tense indicator, also spelled wen; went
from the journal THE COMMON 
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“Herman’s Bones” came from meditating on the rhythmic grandeur of ocean waves churning on Waimea Bay, providing a deep sense of belonging to the land.

Amelia Bueno on "Herman's Bones"
"In Conversation with A.E. Stallings, Oxford Professor of Poetry"

“Maybe it’s related to the idea of the memory palace—which, as you might know, is the invention of the Greek poet Simonides—but this idea that our memories kind of construct a physical space that we can move through. So I think the opposite is also true, that if you are moving through a physical space you construct that memory palace easier.”

viaTHE OXFORD STUDENT
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Color graphic listing the ways in which poetry can "keeps us"
What Sparks Poetry:
Lloyd Wallace on What Keeps Us


"The sub-title of this installment of What Sparks Poetry is 'Poems to Read in Community.' The Poetry Daily team convened this semester, inspired by C.D. Wright’s “What Keeps,” to select a group of twenty poems, most from our last year of publication, that one might pass across the table—to a loved one, to oneself. In last year’s version of this feature, Kerry Folan said the poems selected were meant to 'offer sustenance.' Roque Dalton did say that poetry, like bread, is for everyone. And I still think that holds true."
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