II.
wild revelry is the privilege of slaves and the common folk
they use their feet to vote      their hair to resist and make waves
songs boil the five stars in the public square
night and day chase each other in the clouds
students boycott classes      clocks stop at midnight
along the vertical axis of power a meteor soars
an accordion opens the deep folds of time
the clamorous waves of the singer roll stones roll sun

fear and courage are the same seed
making our stomachs ache and ache
the moment is defined by a bird turning in midflight
the bird is an image that lasts an instant
soldiers at the city gates must be courting danger
lofty mountains flowing waters end in the palm of a hand
the sky leans against the glass of utopia
the grip of the god of death tightens around youthful hearts

midnight      hear the dogs howl in the thick fog
how can the broken line of death reach the end
Forbidden City and traffic lights
the season of change cannot be stopped
open a history book or a newspaper
ambushed by tiger leopard jackal wolf
break out of the snare of Chinese characters
outside the grate of the underground another prison awaits

the revolution needs a bigger space
so that the same tragedy cannot repeat itself
protest banners      lice      empty plastic bottles
guitar players      leaflets      the glint of blood on the hour hand
the flocks of geese with tents bound to the earth
hunger strikers squandering their last provisions
negotiations and farmers markets      haggling over prices
brakes fail while flooring the gas

ambulances wail through the city
trees thirst in silence along the shaded avenues
the public square absorbs the heat late into the night
moonlight oscillates      insomniacs swim
the storm whirls away the details of the dreams
whispers and martial law warnings rage against the night sky
a wedding ceremony unfolds beside the monument
the blue beam of a searchlight escorts the bride

freshly brushed paint is already fading
and you have become unrecognizable in the mirror
history eats weeds      stones are displaced
the seven stars of the Dipper point to no exit
sharp claws cannot reach your own back
anonymous diaries disperse
narratives replace different characters
until the end of the opening—

all the long nights are doomed expectations
all revolutions are ideals betrayed
tears run down the face of a young girl
secret little paths outside history
show us the way      to learn how to grieve in revelry
and in grief to learn how to sing silently      silently
on the way out of the square looking back
the tide laps the night into a giant wave
from the book SIDETRACKS / New Directions 
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"Poetry Foundation Launches $3 Million Sustainable Futures Initiative"

"The Poetry Foundation has announced the launch of its Sustainable Futures initiative and the inaugural cohort of 12 grants totaling $3 million over three years. The funding will be used to strengthen organizational capacity, expand audiences for poetry, and enhance the sustainability of the field. The grants were awarded as general operating support to enable each recipient the flexibility and stability to advance their missions."

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Color cover image of Aby Kaupang's collection, & there's you still thrill hour of the world to love
What Sparks Poetry:
Aby Kaupang on Language as Form


"Often I have thought of Bidart’s insistence on the necessary poem as clarifying my draw to poetic architecture. One night, in looking for his specific quote (for the hundredth time), I re-read his 1983 interview with Mark Halliday and was newly drawn to the part where Bidart speaks of a 'will unbroken and in stasis' that has 'learned to refuse' what the world might easily offer."
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