Gabrielle Bates
could I be punished for thinking there are many ways of being dutiful
me staring at the shape of a man I love his body covered in light
like a patchy white mold          wanting to scrape it off before I eat
could I           eyed as I am brained as I am be blamed

at the age of eight I was locked in a dryer it was not turned on it was
a space made not for me but what I wore a place of heat and turning
turned around me cold and still           to be curled into one self so long
the scent between the thighs is the same as the mouth          is the same

as the scent surrounding is to go about the world forever skeptical
of endings          birth sex fear love loyalty nothing ends truthfully
my knees were at my neck so long I spawned a companion            sister
chromatids speared with the same spindle we consoled one another

crying and banging the walls was too easy of course it didn't work
God rarely rewards the hysterical it's the quiet sufferers God likes
to keep alive          there was no light in that ridged steel round no light
and thus loose minds we made peace with this as the place of our death

I began to believe          I was not a victim I          had locked myself in there
like a baby's skull is sometimes strapped into a helmet my shape
was not yet pleasing enough did not yet match the future wanted for me
my true shape was a sphere it must be          I am to be sideless

later who knows how much later the chair was slid away from the door
and the door opened           light like a decomposing thing bit and bit
at all my knowledge my mother was hysterical and could not hold me
as the dryer had shh I told her shh there are many ways of being punished
        for it
READ ABOUT TODAY'S POEM
Share Share
Tweet Tweet
Forward Forward
Cover of Mark Levine's book, Debt
"Everything Sounds the Same / When It Burns"

"In its preoccupation with persona and not-knowing — 'I’d rather not know / what it is I’m doing' the speaker states in 'Abstract Poem' — Mark Levine’s re-issued collection Debt (1993) seems an anomaly within American poetry in 2019. Authenticity and sense of self are highly prized in a multitude of contemporary poems and essays: certain readers long for an experience that eschews all manners of artifice."

via HONG KONG REVIEW OF BOOKS
READ ALL TODAY'S HEADLINES
Cover of Natalie Harkin's Archival-Poetics

"In using the state’s archive against itself, in forcing the state to remember its many forms of violence against indigenous people, in releasing ancestral voices from their archival confines, Harkin counters oppression with 'infinite ways to imagine/ infinite possibilities to/ transform/ beyond this colonial-archive-box.' Her inventive and necessary interventions into Aboriginal Affairs records offer back to the state its own language not as a narcissistic exercise in nation-building but rather as an indictment of its alleged successes."
READ THIS WEEK'S ISSUE
Poetry Daily logo
Poetry Daily Depends on You

We make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.
You have received this email because you submitted your email address at www.poems.com
If you would like to unsubscribe please click here.

© 2019 Poetry Daily, Poetry Daily, MS 3E4, 4400 University Dr., Fairfax, VA 22030

Design by the Binding Agency