Lee Ann Roripaugh
1.

Knot is a tangle, a problem that needs
unraveling. Not is the thing that isn’t / doesn’t /

wouldn’t. Knot a securing, a way of holding on.
Not security’s antithesis—a refusal to hold

or to be held. Lover’s knot / not lovers / all
for naught. Knotty pine paint paddles broken

in a splintered rage when spanking the non-compliant
child. Not I, said the spy. (Knot eye.) Not the eye

skimming smoothly up the trunk into blue sky,
but a knot eye, a visual paradox, a trompe l’oeil.


2.

Formed in trunks where branches used to be,
or where the trunk’s growth has choked off

the smaller, lower branches in a tree. Each knot
the mark of a tightening tourniquet surrounding

a phantom limb. Each knot a scar, a toughening
over to cauterize loss, seal the body shut so it doesn’t

bleed out in the snow. In a concentration camp
in Minidoka, Idaho, wood artist George Nakashima

learned to burnish the souls of trees through their scars:
their knots, their holes, their cracks, their broken histories.


3.

At the assisted living center your mother
is furious, says someone has snitched one of her lace

antimacassars. You envision unopened mail wedged
behind the toilet, her soiled underwear hidden

beneath the bed. You think of how clever her hands
used to be: deftly recuperating dropped stitches

in her knitting, untangling snarled thread in her lace
crochet. You imagine the sticky knots of plaque

blotting out words like dropped stitches in her brain,
her troubled neurons a snarl of neurofibrillary tangles.


4.

Burl’s the wood formed when a tree is sick
or stressed, causing the grain to arabesque

into strange spirals, distorted forms, eye-spotted
with visible knots. Burl erupts when infestations

of insects or mold spread unchecked beneath bark’s
façade, the burl becoming larger, more ornate,

as the tree continues to grow. They sound like tumors,
or eyesores, but burl’s actually expensive and rare.

A tree can’t survive without its burl. When burl
is cut from a tree while it’s still alive, the tree dies.


5.

Your mother’s mind is a scarred knot work
of missing branches, cratered-in knot holes—

leaving an emptiness she senses, fills with
the gaudy knick-knacks of conspiracy and delusion.

You think of scientists using mirrors to trick mirror
neurons into resolving phantom limb syndrome.

But as much as you efface yourself into shininess,
into neutral reflection—as if to try and trick

your mother’s pain into misrecognizing its own gaze
until it lifts away like burned-off fog—it never works.
from the journal AMERICAN POETRY REVIEW
READ ABOUT TODAY'S POEM
Share Share
Tweet Tweet
Forward Forward
 “Knot Work / Not Work / Knot Hole / Not Whole: A Mapping / Jishin-no-ben” is from my manuscript titled "Kaze no Denwa, The Wind Phone." It’s part of a series of what I call “mappings”—poems in five parts, circulating associationally and linguistically around a single word, or concept, and referring to an actual ancient Japanese map, representing an ouroboros, a dragon eating its own tail, called “Jishin-no-ben.”

Lee Ann Roripaugh on  "Knot Work / Not Work / Knot Hole / Not Whole: A Mapping / Jishin-no-ben" 
Cover of Monica Youn's book, From From
"An Interview with Monica Youn"

"I also wanted readers to question their own habits of seeing, of reading, of consuming stories and roles, particularly those that might be classed as 'exotic' or 'foreign.' Generations of artists have 'exoticized' these figures for a Western audiencehow can I talk about them in a way that makes that process visible to a non-Asian reader without reinscribing that exoticization?"

via PEN AMERICA
READ ALL TODAY'S HEADLINES
Cover of Black Warrior Review, 48.1, where Oliver Baez Bendorf's poem was first published
What Sparks Poetry:
Oliver Baez Bendorf on "I Want Biodegradable Sex"


"I am often suggesting to students that when it comes to style, we each have a 'terroir'— a particular flavor made up of the unique places and vocabularies that we have absorbed....But the thing is that terroir is not only style. It is substance. It is not even quite right to say that it is also substance. It is exactly that, substance. It’s the matter we are made of. Terroir is what you write and how you write it. The goal is to write what only you could."
READ THIS WEEK'S ISSUE
donate now
View in browser

You have received this email because you submitted your email address at www.poems.com
If you would like to unsubscribe please click here.

© 2023 Poetry Daily, Poetry Daily, MS 3E4, 4400 University Dr., Fairfax, VA 22030

Design by the Binding Agency