Today's Headline: "Music and Mystery: Jill Bialosky Interviews David St. John" Daniel Lipara’s "Like the Night Inside the Eyes" combines autobiographical prose segments with verse “excavations” (in the vein of Alice Oswald’s "Memorial") of similes in the "Iliad." These comparisons glitter through the epic onslaught of loss to reveal smaller, humbler scenes inside it. "Like the Night…" (still unpublished in English) marvels at the vital impulse to change our own lives, even amid great pain and uncertainty. Robin Myers on "Like The Night Inside the Eyes" |
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"Music and Mystery: Jill Bialosky Interviews David St. John" "I always prefer nuance over argument in poetry. For me, mystery and music come first. Poems persuade by their music, not by their argument. A poem, for me, often begins with a phrase, a piece of verbal music. I like to return to open song forms that can be meditative and speculative, or to familiar song forms, like the sonnets running through some of my books. Some readers probably think of me as a late-style California singer-songwriter, an old-school Romantic lyric poet with angular symbolist impulses, and I guess I am somebody who—I imagine, anyway—performs the music inside of the poem instead of alongside the words." viaLOS ANGELES REVIEW OF BOOKS |
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What Sparks Poetry: Katey Funderburgh and Nicholas Ritter on Building Community "This program proves to me, again and again, that poetry is a liberatory force. Prisons shouldn’t exist, but each time I’m in the classroom with our students, I remember that this craft is an avenue for free expression and self-exploration. The poems allow me to connect with the students, to share my own memories, dreams, struggles, and to relate to them about both the content of the poems we read, and the content of the poems they write." |
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