Minuto

Cualquier orden amado irrepetible
Lunes cuatro de junio por ejemplo
año noventa y uno
seis y doce digamos
té en el balcón
un pájaro
beso
flor amarilla
palabras
esa nube
tus barbas
mi vestido
azul de lana
los dedos que se tocan
—a treinta y siete grados—
relámpago de dientes
nuestras voces
las seis y trece
y queda todo el tiempo
 
No queda todo el tiempo
Sólo quedan
todas las despedidas
 
Adiós horas minutos y días tuyomíos
Luto de superpuestos adioses sedimenta
su costra
Nuestra casa solar van oxidando
adioses-hilos-negros
Yo te miro
te miro amigo mío de todos los minutos
punto de luz
te miro
Poblarás
mis retinas mi tiempo mi tristeza.
cual lámpara mirada largamente



Minute

Any order, beloved, unrepeatable
Monday June 4, for example
1991
6:12, let’s say
tea on the balcony
a bird
a kiss
a yellow flower
words
that cloud
your beard
my dress
blue wool
fingers that touch
—at 98.6o
a flash of teeth
our voices
6:13
and all that’s left is time
 
No, not time
All that’s left
are the goodbyes
 
Goodbye to hours, minutes, days, yours and mine
The sorrow of overlapping goodbyes
leaves its crust
Black threads of goodbye
are rusting our solar house
I look at you,
look at you, my friend through all the minutes
point of light
I look at you
You will fill
my retinas, my time, my sadness
like gazing at a lamp too long.
from the book PLAGIOS/PLAGIARISMS, VOLUME ONE / Sixteen Rivers Press
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"In 'Minuto/Minute,' the poet comes to see how a single minute can contain all of time, and how the cherished memory of a friend can fill one’s vision like an image of light seared on the retinas. As Octavio Paz says in his introduction to González de León’s poems, 'Poetry is the wink of time, the sign time gives us in the moment of its disappearance.'"

Terry Ehret, John Johnson, and Nancy J. Morales on Minuto/Minute
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92Y’s Discovery Poetry Contest Winners

"For close to seven decades, 92Y’s Discovery Poetry Contest has recognized the exceptional work of poets who have not yet published a first book..After much deliberating, final judges Jericho Brown, Paisley Rekdal, and Wendy Xu awarded this year’s prizes to Asa Drake, Luther Hughes, Ana Portnoy Brimmer, and Daniella Toosie-Watson."

via PARIS REVIEW
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What Sparks Poetry:
Jason Schneiderman on W. H. Auden's Musée des Beaux Arts"


"I remain amazed by how many rules the poem seems to break. The first stanza of the poem is a direct violation of that old dictum, 'show don’t tell.' Auden makes a lot of claims about how the Old Masters depict suffering, and he tells the reader how to interpret the paintings being discussed. The Old Masters might be showing, but Auden is quite definitely telling."
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