This poem is one of my favorites to read at events, partly because of the propulsive energy of its one-sentence structure. But I’m also always aware of how uncomfortable it makes me feel, a mix of shame, anger and reliving the experience. I had numerous ancient myths in mind and was thinking about how that foundational terrain is rife with stories of assault. The ending refers in particular to Philomela.
Mira Rosenthal on "Mythology" |
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"Why Is the Right Obsessed With Epic Poetry?"
"Epic poems are more complex than they are often given credit for. They tell us of the failings of great men and the downfalls caused by pride—moments that aren’t 'epic' in the modern colloquial sense but comic. This, too, is their enduring significance for our time. Toward the end of Paradise Lost, after bringing about the Fall of Adam and Eve, Satan returns to Hell and announces to the other devils that they will all be able to escape and colonize a new world. Instead of applause, he hears a 'universal hiss.' They have all been turned into snakes."
viaTHE NATION |
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What Sparks Poetry: Jennifer Chang on Drafts
"In truth, I misremembered the statue, I misrepresent it; in my poem, there is more than one enslaved person at Lincoln’s knees. But this is not the only reason I could not get the draft right. I wanted to capture the feeling of two friends wandering in a city, the ebb and flow of their conversation. Most of all, I wanted the poem to do what letters do: bridge a distance in geography and in time: the future, the past, Washington, D.C., Texas, the thaw that makes some late winter days feel like spring." |
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