Sadia Hassan
God, when you raise the dead,
raise him last. Let him rot

a little longer than the others.
Let him panic as his memory

staggers towards the youngest of us.
Gag his grave with the milk-sour

stench of girls, the hot and
damp heat of small mouths

fervent for a mother who sees
a knife and thinks: brother.

And before he can beg sister, sister!
And before he can plead forgive me?

Pack his mouth with flint.
Set fire to every cottony tooth,

tongue and tender meat-clung
bone. If you ran red the dirt

drawls of our girlhood,
if you gave language

to your girl slaves,
allow the pebbles

to gather in praise
of the scorpion’s
singing sting.
from the journal THE RUMPUS
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Cover of Alex Dimitrov's book, Love and Other Poems, one of the books under review
"Must-Read Poetry: February 2021"

Nick Ripatrazone discusses new work from Alex Dimitrov, C. Dale Young, Kathryn Smith, Rebecca Morgan Frank, and Alan Gillis. Of Dimitrov's collection he writes, "This is a book about love, yes, but it is also one of the best recent books about New York City. If you love that city, if you hate that city, if you want to understand that city: read this book." 
 
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"Real poetry, Itō reminds us, doesn’t only come from a poet simply saying something—it also comes from the ways that the poet resists the ordinary processes of saying.  The writer unlocks new potential by subverting, manipulating, and defamiliarizing the patterns that structure our logic and expression.  Poems need to be more than a series of simple, ordinary statements strung together."
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