I was reading Barad's "Meeting the Universe Halfway" one afternoon during the pandemic. We were all shut in yet trying to live as full lives as possible, partially through social media. But bodies live and breathe in the world. Agential realism became real to me, knowing each moment was producing infinite others and making others recede, though they too still existed. Poetry became my way of thinking--and living--through. Kazim Ali on "Reading Karen Barad on a Saturday Afternoon" |
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"The Poet's Nightstand with Jesse Nathan" "Sze, in his clearwater and efficient translations, in his supple introductions and notes, is a brilliant guide to one of the world's greatest poetry traditions. A tradition of clarity and nuance and moonlight. And what's special about the updated version of this book is that it leans further into continuities where many translators and scholars highlight the chasm between ancient and new. 'I pull out the Chinese drawers, one by one,' writes Yan Li in Sze's version, 'take a look at the years that I lived through.' The line gives me shivers." via POETRY SOCIETY OF AMERICA |
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What Sparks Poetry: M. W. Jaeggle on "Wrack Line" "To make an abstraction like ecological interdependence feel like lived experience—this is a power unique to poetry. Because it entails the realization that paying attention to wilderness is the same as paying attention to the self (and vice versa), this power is foundational. Like a branch from which an owl perches, poetry supports us as we survey our options, bide time, and go about securing the means for continued life." |
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