Omotara James
Who was the first fat woman you loved? For me, her name was Ruth. She was soft and generous
with her body, by which I mean she hugged me when no one else was there to cross an arm

around me. She would let me hug her. When I was exuberant. When I was sorrow. When I was
scared. Before and after I'd done the wrong thing. With Ruth, the answer was always love and more

love. When she hugged me, I felt luxurious. As velvet. Adorned in head-to-toe velour, I was not
afraid to be seen or held. I was grateful not only for Ruth's fatness, but for how she carried it.

Carried it. Words that were regularly spoken to me as a child. As an expert carrier, I was grateful for
our discourse of bodies. For the outer petals and composure of Ruth's mature flesh—I, the

awkward shoot, all stalk and burgeoning. The flash of acceptance between us was a creation story,
an invisible home I carried on my back long, long after . . . I wore her absence like a heavy magician's

cloak. Yet, I do not ponder her whereabouts. For even as I hold myself today I feel her glow, a dark
chiffon. Her glimmer, a velveteen shine. Who would I be if Ruth had never hugged me back into

myself? I wonder about that girl, half-bitten by toxic masculinity, already half gone down the block,
steps beyond the open. Wading back into what the world would have heartlessly imagined for me . . .

Ruth, first confessor of my small secrets and trespasses. Ruth, second carrier of my burdens. Ruth,
who demonstrated her worth by protecting mine. My breath so steady in her arms. Ruth,

who chased after that half-hardened girl with the bloody rock, sharpened by her own hand.
from the journal AMERICAN POETRY REVIEW
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With My Back to the World by Victoria Chang
A Conversation with Victoria Chang

"Language definitely cannot fully and truly capture our cognitive experiences. And I don’t expect it to. Once I let that idea go, I am so free! I am free to make things up, to use my imagination, to be capacious in the ways in which I think about things and express things any which way I want to. That’s also why I like doing other things with my hands, whatever that may be—just another way to express our experiences, and the ineffable."

via THE BROOKLYN RAIL
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Cover image of M. W. Jaeggle's book, Wrack Line
What Sparks Poetry:
M. W. Jaeggle on "Wrack Line"


"To make an abstraction like ecological interdependence feel like lived experience—this is a power unique to poetry. Because it entails the realization that paying attention to wilderness is the same as paying attention to the self (and vice versa), this power is foundational. Like a branch from which an owl perches, poetry supports us as we survey our options, bide time, and go about securing the means for continued life."
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