This poem is a part of the unpublished volume “Río Estigia” (“The River Styx") which unites texts that reflect on barbaric and cruel forms of exercising power. Styx is, in this case, a symbol which alludes to a state of shadows, the absence of life, worlds in which human evil is present. Absence of life is not equivalent to death.
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"What made Longfellow’s poetry perfect for reciting by the fireside or in the schoolroom—rhyme, meter, cadence, and memorability, for sure; plus a sensitive and cheerful expression of familiar themes (love for children, home life, patriotism, religion) told in a sentimental voice—also contributed to his being expunged from the literary canon when the paradigm for proper poetic expression was upended by Modernism."
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"I have read a wide shelf’s worth of books of translation theory, but when I actually sit down to translate, especially poetry, all of that beautifully formulated theory goes out the window, and I am faced with the poet’s mind, and my mind, and how I am going to get them to work together."