It is written somewhere in the sky—we are supposed to forget quickly. How? An elephant stands on a tiny pedestal. In a field under a tent. The ringmaster spectacular in his tails and topcoat, expert in redirection, points towards the acrobat. The acrobat astounds because he could fall.

The other day I told my friend the story in which you fell through the floorboards of an old barn. As I told the story, I recalled the manner in which you carefully transferred milk to a newborn calf. You beckoned to Babette singing come Bossy Boss come Boss

Years since you carved onto your forearm that pig with wings but have you ever noticed that the word pigeon encompasses the word pig? Once, in the evening on Fifth or Third, I saw a pigeon drop into a vat of mustard. I watched its dark wings thrash. Then yield.

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Cover for Zong!

“As the excerpt from 'Ferrum' begins, the desire to read is baffled. What is all our f? What is ht fad? The pages offer no visual clues, no eye-rhythms for mind to follow, but the eye goes to work, gradually witnessing an emergence of image and narrative from chaos. We can rewrite the text, if we need to; it’s there to be found: and their fall our fall it was a bull market for guineas and for guinea negroes a bet in hope night fades to day day to night her dugs hang sacks of dry fear. What would we lose by this?"
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Head shot of Philip Larkin

"A lot of what has been published about Larkin since his death...suggests that as well as boredom the legacy of his childhood included rage, fear, embarrassment, guilt, resentment and, perhaps above all, shame."

via THE TIMES LITERARY SUPPLEMENT
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