I pull the last radishes,
then bed the boxes down

with hay. This is the season
of distances: weak light

in the lilacs, muffled bass
in the idling Accord.

My father a plaque that rises
barely above the grass.

That last time strangely
available: vinyl booth, castanets

from a jukebox we couldn't see
and the pale underside

of his wrist flashing ...
Cleaning out his place,

I found a watch
in his underwear drawer,

chipped bezel, leather band
worn thin. It belonged

to his father. Once, as a kid,
I watched him press the cool

back of it to his ear, then
his cheek, I didn't understand.

I bend and gather up
the bolted kale. My old Trek

clutters the doorway, gray
flecked with gold. Another loop

I'm caught in: suffering
and calibration. The punishing

miles, then the hours adjusting
the neatly clicking gears.
from the book FIXER  
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This is a poem that I wrote over a long period of time, in fragments, and stitched together quickly. After I wrote the opening of the poem--radishes, car, cemetery--I didn't know where to go. The headstone opened the door to talking about the father, so I pulled that diner scene from an earlier failed poem. The father's wrist seemed like another potential hinge, and I remembered these lines I'd written maybe ten, twelve years earlier about his watch. Once I had the watch, with its tiny spinning gears, I thought of my bike, which I had been riding obsessively since my dad died. And suddenly I had a poem about grief, compulsion, recalibration. It's one of my favorites in the book, probably because I didn't know what I was doing until it was almost done.
What Sparks Poetry:
Dong Li on Evan S. Carroll's Notes From a Bottle Found on the Beach at Carmel


"Vestigial shards of old legend and lore dart in and out of vertiginous fragments of human folly and futility, now like lightning on a clear day, now like fireflies on a talkative night. The 'I' slyly travails through historical significance and triviality until the tribulations of fear, faith, and ferocity surface in a dizzying dream state, hauling history into the prophetic present, where associative meanings are distilled into a crude and cruel illumination."
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