Under the Tamarind Tree
Bunkong Tuon
The child sits on the lap
of his aunt, under the old tamarind tree
outside the family home.

The tree stands still, quiet,
indifferent. The house sways
on stilts.

Monks in saffron robes
and nuns with shaved heads,
lips darkened with betel-nut stain,

sit chanting prayers
for the child's mother.

Incense perfumes the hot dry air.

There emerges a strange familiar song
between the child and his aunt that day —
a distant one, melodic but harsh,
as if the strings are drawn too tight —

Each time the child hears prayers
coming from the house, he cries;
each time he cries, the aunt, a girl herself,
pinches the boy's thigh
from the book WHAT IS LEFT Jacar Press 
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I began my writing life as a poet of loss and grief. “Under the Tamarind Tree” is an early example of this. The poem is about a memory I had of my mother on her death bed. In Pol Pot’s times, religion was abolished, monks disrobed, and religious practices eradicated. But in this poem, I gave my mother a proper funeral rite. Poetry’s power, thus, lies in resistance and reclamation: here, an orphan brings justice to his dead mother.
 
Color headshot of Lena Khalaf Tuffaha
Lena Khalaf Tuffaha on National Book Award Win

"The National Book Award judges’ citation for Something About Living says the book 'opens with a single bird and ends in a dazzling meteor shower, and in between lies something of a marvel—an electric and sobering song crackling with possibilities for a homeland fractured and besieged by Empire.' Tuffaha was deeply moved by that citation. 'I really felt like my book had been thoughtfully read. And that’s a gift.'"

viaTHE SEATTLE TIMES
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Color cover image of Vincent Toro's collection, Hivestruck
What Sparks Poetry:
Vincent Toro on Language as Form


"Form is not merely shape, it’s concept. It’s not merely a concept, it is a vessel for culture that transmits the values and ways of a people....When our own forms are marginalized or entirely ignored while an oppressor culture forcefully imposes their own forms on us, some of us are going to act reflexively to such an action, and some of us are going to make it a mission to reclaim our own forms and create space for them to be appreciated and respected in equal proportion. This is, in part, the reason for my devotion to the décima."
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