Leila Chatti
And just like that, I was whole again,

seam like a drawing of an eyelid closed,
gauze resting atop it like a bed

of snow laid quietly in the night
while I was somewhere or something

else, not quite dead but nearly, freer,
my self unlatched for a while as if it were

a dog I had simply released from its leash
or a balloon slipped loose from my grip

in a room with a low ceiling, my life
bouncing back within reach, my life

bounding toward me when called.
from the book DELUGE / Copper Canyon Press
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"For years of illness, I dreaded and awaited this surgery. I knew my life would be different afterward, but better or worse, I couldn’t know. When I came to, it felt like emerging slowly from a dream, the world knitting back around me. I came close to death—I had 'gone under,' I had been opened and altered—and this closeness made my aliveness so clear and vivid. Miraculous." 

Leila Chatti on 'Waking After the Surgery"
Statue of Robert Burns in Aberfeldy, Scotland
Carol Rumens on Robert Burns

"Robert Burns (1759–1796) composed the lyrics to a considerable number of traditional Scottish melodies. These lyrics have a remarkable power to sing from the page, even for readers unfamiliar with the original tunes. 'Oh wert thou in the cauld blast…' is one of my favourites. I don’t know the original melody, but feel as if I did; it’s a mysterious ghostly voice, half-caught between the lines."

via THE GUARDIAN
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Cover of Lia Purpura's book, It Shouldn't Have Been Beautiful
What Sparks Poetry:
Lia Purpura on "First Leaf"


“I remember telling my students give me a minute I have to write something down, and though I say 'the words just came' the language itself felt almost intrusive, like a clumsy adaptation of a finer, more efficient form of communication—and yet, the pressure to inscribe was compelling. It was like passively receiving something and also being able to physically make something at the same time."
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