| Hyperallergic is where art meets urgency. It’s a platform that doesn’t just report on the art world—it questions it, challenges it, and amplifies the voices that too often go unheard. As an artist dedicated to illuminating Apsáalooke history and pushing against mainstream narratives, I see Hyperallergic as a necessary space for truth-telling. Their fearless coverage shines a light on artists and communities whose stories need to be told, making space for resistance, resilience, and transformation. Art is not neutral—it holds power, shapes culture, and carries history. Hyperallergic understands this. They don’t just document art; they hold the art world accountable. That’s why I support their work, and I encourage others to do the same by becoming a member. —Wendy Red Star
| | Become a member | | | | Wendy Red Star lives and works in Portland, OR. An enrolled member of the Apsáalooke (Crow) Tribe, Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Drawing on pop culture, conceptual art strategies, and the Crow traditions within which she was raised, Red Star pushes the conversation surrounding Native American perspectives in new directions.
Wendy Red Star has exhibited in the United States and abroad and her work is in over 60 public collections. Red Star was an Anonymous Was A Woman Grant recipient in 2022 and was named a MacArthur Fellow in 2024.
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