What Sparks Poetry is a series of original essays that explores experiences and ideas that spark the writing of new poems. In our series, Life in Public, we invite poets to examine how poetry speaks to different aspects of public experience. Each Monday's delivery brings you the poem and an excerpt from the essay.
The Three Trees at Hudimesnil
I shouldn’t be doing this the room said. I didn’t
know rooms could do anything much less
talk about it I said. Well that’s on you the room
said but at least you know better now. A person
wearing a pink shirt gray jacket and beige pants
was stroking their chin. Another one was wearing
a mask. A big part of living is matching what

you do or say to what else is being done or said
by others. The difficulty is in knowing where to
draw the line. For example the philosophical and 
conceptual mind desires to be included with its 
casual counterparts such as the need for rest and
idleness. We are living through imperfect times
and clearly deserve all the shit we’ll give ourselves.
from the book THE IMPORTANCE OF BEING FEEBLE-MINDED / Nine Mile Arts 
READ ABOUT TODAY'S POEM
Share Share
Tweet Tweet
Forward Forward
What Sparks Poetry:
Nathan Spoon on Life in Public


"I hoped for this poem to expand beyond the realm of the scholarly, outward in a serious way relating to societal circumstances we are in together at present—and by societal I mean the global society of human beings sharing a planet, one tragically in a vortex of cascading concerns including war, surging debt and inflation, climate crisis, resource depletion and the crossing of planetary boundaries, growing inequality, artificial intelligence and synthetic biology, and the backsliding of democracy."
READ THIS WEEK'S ISSUE
Color headshot of a smiling Ngũgĩ wa Thiong’o
In Memoriam: Ngũgĩ wa Thiong’o, "the Poet of Exile"

He wrote, in Petals of Blood, "The truth is that our people are starved, not only of food but of knowledge, dignity, and honour. The only cure for hunger is food. The only cure for oppression is to fight back.” "And Ngugi did precisely that. Fight. Back. From refusing to be cowed down from writing a play in his Gĩkũyũ language and preferring prison instead to having his book Matigari banned in Kenya. And of course the exile. For decades. And of course the famous laugh that made mockery of threats including those that arrive at gunpoint."

via FRONTLINE
READ ALL TODAY'S HEADLINES
donate
View in browser

You have received this email because you submitted your email address at www.poems.com
If you would like to unsubscribe please click here.

© 2025 Poetry Daily, Poetry Daily, MS 3E4, 4400 University Dr., Fairfax, VA 22030

Design by the Binding Agency