What Sparks Poetry is a serialized feature that explores experiences and ideas that spark the writing of new poems. In the first series, The Poems of Others, our editors pay homage to the poems that led them to write. Each Monday's delivery brings you the poem and an excerpt from the essay. 

12.

A green limb hangs in the crotch
of a silver snag.
Above the Cats,
                    the skidders and thudding brush,
Hundreds of butterflies
Flit through the pines.
"You shall live in square
                    gray houses in a barren land
                    and beside those square gray
                    houses you shall starve."
—Drinkswater. Who saw a vision
At the high and lonely center of the earth:
Where Crazy Horse
                    went to watch the Morning Star,
& the four-legged people, the creeping people,
The standing people and the flying people
Know how to talk.
I ought to have eaten
Whale tongue with them.
                    they keep saying I used to be a human being
"He-at-whose-voice-the-Ravens-sit-on-the-sea."
Sea-foam washing the limpets and barnacles
Rattling the gravel beach
Salmon up creek, bear on the bank,
Wild ducks over the mountains weaving
In a long south flight, the land of
Sea and fir tree with the pine-dry
Sage-flat country to the east.
Han Shan could have lived here,
                    & no scissorbill stooge of the
                    Emperor would have come trying to steal
                    his last poor shred of sense.

On the wooded coast, eating oysters
Looking off toward China and Japan
"If you're gonna work these woods
Don't want nothing
That can't be left out in the rain—"

from the book MYTHS & TEXTS / New Directions
 
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Susan Tichy's handwritten lines from Gary Snyder's "Logging"
What Sparks Poetry:
Susan Tichy on Gary Snyder's
"Logging"

"I was eighteen when I picked up the original edition of Snyder’s Myths & Texts...I had been writing poems for several years, and even had published a few, but something new happened in those pages: I heard/saw for the first time how a web of sound could juxtapose unadorned image + simple statement into something…not exactly larger than its parts, but other than its parts. No longer were expansive and intensive poetics opposed: they were allies, creating the voice of a mind and a body finding place on earth."

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Image of cover of Tell Gallagher's "Is, Is Not"

Washington Post poetry reviewer Elizabeth Lund writes about four new collections. As she notes about Tess Gallagher's eleventh collection, " These pages brim with wisdom as they demonstrate the profound interdependence of us all: animals, dreams, people and landscapes."

via THE WASHINGTON POST
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VCFA MFAs in Writing

Vermont College of Fine Arts offers a traditional low-residency MFA in Writing program along with a residential MFA in Writing & Publishing program. 
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