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March 31, 2022 • View in browserGood morning. ☁️ Today, we report from the Whitney Museum workers’ protest outside the VIP opening of the 2022 Whitney Biennial, we look at two Navajo artists innovating through contemporary weaving, and we consider if the new FinCEN laws might end wide-scale antiquity theft. I also interview TikTok influencer Devin Halbal (better known as Hal Baddie) and her now popular catchphrase “Met Gala Behavior.” And today, I’ll be hosting three Whitney Biennial artists, Nayland Blake, Pao Houa Her, and Raven Chacon, for a conversation on Twitter. Join our Space at noon EDT today to understand how artists prepare for biennials and how they are different from solo exhibitions and other shows. — Hrag Vartanian, editor-in-chief Become a member today to support our independent journalism. Whitney Museum Workers Surprise 2022 Biennial Guests With Union ProtestHalf of the museum’s workers earn less than $20 per hour, and many are temporary workers with no benefits. | Jasmine Liu SPONSORED Experience Designs by Eva LeWitt at New York City Ballet’s Art SeriesThe artist has created 10 sculptures for a special one-night-only event on April 29, where attendees will be able to view her work both on and off the stage. Learn more. ARTISTS & INFLUENCERS Two Navajo Artists Weave New HistoriesZefren-M and Morris Muskett find self-expression through contemporary weaving. | Susannah Abbey Met Gala Behavior and Other TikTok Wisdom From Devin HalbalAn influencer who goes by the handle @halbaddie has been helping define what “Met Gala Behavior” is in 2022. | Hrag Vartanian SPONSORED SCAD Museum of Art Appoints Daniel S. Palmer as Chief CuratorThe former curator at Public Art Fund, New York, is joining the Savannah College of Art and Design’s teaching museum on its 10th anniversary. Learn more. LATEST REVIEWS There's Something Special About Jim Osman's SculptureOsman’s care for and attention to his modest materials, the particularities of their identity, is rare in a society where excess is celebrated daily. | John Yau Joy and Terror Coexist in Vian Sora's Unsettling PaintingsThe capacity to reside in joy and terror in equal measure gives Sora's paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction. | Natalie Weis Tate's Survey of Caribbean-British Art Centers BritainBy the end of Life Between Islands, the island that is centered in this exhibition is Britain, and “the Caribbean” remains a loose, ill-defined, hazy backdrop. | Aurella Yussuf ALSO ON HYPERALLERGIC How the Financial Crimes Enforcement Network Might Curtail Antiquity TheftThe bottom line is that current laws on the trade of antiquities are insufficient, allowing the looting of culturally significant property to continue. | Salisha Kayum New York’s Best Documentary Festival Makes Its ReturnAfter 2020’s virtual festival and 2021’s severely abridged edition, Art of the Real is back with a full slate of exciting experimental nonfiction. | Dan Schindel How Grant Wood’s “American Gothic” Continues to Inspire ArtistsThe iconic painting has been fodder for generations of artists who offered interpretations of the original in pursuit of depicting the "real" America. | Sarah Rose Sharp IN MEMORIAM Mira Calix (1971–2022) John Korty (1937–2022) Taylor Hawkins (1972–2022) Dirck Halstead (1937–2022) MOST POPULAR Why We Can’t Have Mid-Century ModernLetting a Dairy Cow’s Life Speak for ItselfWhy We Must Challenge the Typical Museum Narrative Regarding Ancient EgyptA Rehang of Hopper’s Iconic “Nighthawks” Changes the GameUnmasking a History of Colonial Violence in a German Museum
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